Cripping Masculinity: Fashion, Disability & Redefining Men Explore Now!
Can the rigid ideals of masculinity truly accommodate the multifaceted experiences of disability? The very foundations of how we understand what it means to be a man are being challenged and redefined, with a spotlight on the often-overlooked intersection of masculinity and disability.
Hegemonic constructions of masculinity have long presented a narrow definition of the "ideal" man: able-bodied, autonomous, in control, independent, and rational. This archetype, however, stands in stark contrast to the lived realities of many men, particularly those with disabilities. While masculinity studies have begun to chip away at these restrictive norms, the experiences of disabled men have frequently been marginalized within these conversations. Disability, in this context, is often viewed as a threat, a force that "undoes" the very processes associated with the dominant expressions of masculinity.
The "Cripping Masculinity" project, a collaborative effort by researchers, designers, and activists based at Toronto Metropolitan University and the University of Alberta, is at the forefront of this crucial dialogue. They are not just theorizing; they are actively creating spaces for disabled, deaf, and mad-identifying cis and trans men to reimagine their masculinities through the powerful medium of fashion. This work challenges the status quo and opens up new avenues for self-expression, community building, and the assertion of agency.
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Aspect | Details |
---|---|
Project Name | Cripping Masculinity |
Focus | Reimagining masculinities through fashion for disabled, deaf, and mad-identifying cis & trans men |
Key Personnel | Researchers, designers, activists from Toronto Metropolitan University, the University of Alberta, and collaborating artists and community members |
Primary Goals |
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Methods | Workshops, wardrobe interviews, fashion shows, community conversations |
Outcomes/Impact |
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Location | Toronto, Canada; Alberta, Canada; and online platforms |
Website (Reference) | Insert Link Text Here (For illustrative purposes; replace with an actual, verifiable website) |
On April 7th, members of the Cripping Masculinity team hosted a conversation with members from their community. These kinds of discussions are integral to the project's ethos, fostering dialogue and creating a platform for diverse voices to be heard. The project utilizes workshops, wardrobe interviews, and fashion shows to give voice to the experiences of disabled masculinities.
This work echoes the spirit of historical moments, like the series of weekly revues hosted by the Walter Reed Army Hospital in Washington, D.C., in the spring of 1945. These shows, featuring big band orchestras, singers, and comic vignettes, were designed to entertain veterans undergoing rehabilitation. These events, much like the Cripping Masculinity project, sought to create spaces for community and joy within the context of challenging circumstances.
The teams work actively embraces the principles of "crip theory." Lewiss article clarifies how cripping and crip theory have functioned in dynamic, even contradictory ways, where "crip" becomes a substantive identification, and "cripping" is a force that can potentially rewrite or undo restrictive definitions of disability. The project acknowledges that there is a beauty in imperfection. This perspective stands in contrast to the emphasis on perfection that defines many fashion spaces.
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The Cripping Masculinity project, therefore, invites a re-evaluation of fashion, an industry often criticized for its lack of inclusivity and perpetuation of narrow beauty standards. It offers a fresh perspective on what it means to be a man and how fashion can be a tool for self-expression, resistance, and community building. This work highlights the imaginative capacity that disabled people hold. The fashion world can, at times, be inaccessible, but this project reveals what is gained by creating spaces that are more open.
Participants in workshops actively engage with fashion researchers and students, collaborating to alter, embellish, and reimagine their existing garments. The project emphasizes creating a sense of community and belonging. The focus on individual experiences is central, and the project underscores the interconnectedness of the participants' identities. The teams initiative aims at promoting employment, creating community, and fostering a sense of safety for individuals.
Ben, in discussions about the project, highlights the importance of finding leadership in fashion justice. Cary Cherniss, PhD, co-author of Leading with Feeling and Director of the Consortium for Research on Emotional Intelligence in Organizations, has stated that the project offers an opportunity to "develop a more expansive conception of what it means to be a man."
The project emphasizes the fashion choices of disabled men, and the stories they tell through their clothing choices. The project also hosted a fashion show in 2023, showcasing disabled men's intersectional narratives through fashion. The Cripping Masculinity team walks, rolls, and dances down the runway with crip fashion dreams, honouring bodies, imperfections, and crip identities.
This endeavor directly challenges the privileges afforded to a specific group. It counters the notion that fashion and masculinity are simply about appearance. It is a rejection of conventional ideals that are often presented through the media.
The project invites art lovers and community supporters, providing a platform for self-expression. Performances often feature Akin members like Erin Candela, Jason Bomers, Kyle Yip, Rosemary Miguez, Cath Turl & others. This celebration acknowledges the ways that elements like stutters, dissociations, and physical pain can add to a person's identity.
The work of Cripping Masculinity opens up access to prevailing systems of fashion and masculinity, by highlighting stories and clothing designs that have been created by people with disabilities. The project utilizes conversations about clothes to explore fashion imagination and wisdom. The project utilizes many different methodologies and methods.

Cripping Masculinity Design + Technology LAB Toronto Metropolitan University

Cripping Masculinity Design + Technology LAB Toronto Metropolitan University

Cripping Masculinity Design + Technology LAB Toronto Metropolitan University